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Walter Gropius Quotes
German
-
Architect
May 18, 1883 - July 5, 1969
Let us together create the new building of the future, which will be everything in one form: architecture and sculpture and painting.
Walter Gropius
Future
Painting
Together
Architecture
Building
Create
Everything
Form
Let Us
New
Sculpture
Us
Which
Will
We are in the midst of a momentous catastrophe of world history, of a transformation of all aspects of life and of the entire inner human being This is perhaps fortunate for the artistic person, if he is strong enough to bear the consequences, because what we need is the courage to have inner experience.
Walter Gropius
Architecture begins where engineering ends.
Walter Gropius
Architecture
Engineering
Where
Begins
Ends
Only work which is the product of inner compulsion can have spiritual meaning.
Walter Gropius
Work
Spiritual
Only
Meaning
Compulsion
Inner
Product
Which
Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.
Walter Gropius
Life
Society
Design
Intellectual
Affair
Civilized
Civilized Society
Everyone
Guiding
Integral
Integral Part
Material
Necessary
Neither
Nor
Principle
Simply
Stuff
Our
Part
If your contribution has been vital there will always be somebody to pick up where you left off, and that will be your claim to immortality.
Walter Gropius
You
Will
Your
Always
Claim
Contribution
Immortality
Left
Off
Pick
Somebody
Vital
Been
Has-Been
Up
Where
Specialists are people who always repeat the same mistakes.
Walter Gropius
People
Who
Always
Mistakes
Repeat
Same Mistakes
Specialists
Same
The general public, formerly profoundly indifferent to everything to do with building, has been shaken out of its torpor; personal interest in architecture as something that concerns every one of us in our daily lives has been very widely aroused; and the broad line of its future development are already clearly discernible.
Walter Gropius
The development of the New Architecture encountered serious obstacles at a very early stage of its development. Conflicting theories and the dogmas enunciated in architects' personal manifestos all helped to confuse the main issue.
Walter Gropius
Architecture
New
Obstacles
Serious
Architects
Conflicting
Confuse
Development
Early
Encountered
Helped
Issue
Main
Personal
Stage
Theories
Very
Our fresh technical resources have furthered the disintegration of solid masses of masonry into slender piers, with consequent far-reaching economies in bulk, space, weight, and haulage.
Walter Gropius
Space
Fresh
Our
Masses
Bulk
Consequent
Disintegration
Economies
Masonry
Resources
Slender
Solid
Technical
Weight
One of the outstanding achievements of the new constructional technique has been the abolition of the separating function of the wall.
Walter Gropius
New
Been
Outstanding
Wall
Abolition
Achievements
Function
Separating
Technique
Has-Been
New synthetic substances - steel, concrete, glass - are actively superseding the traditional raw materials of construction.
Walter Gropius
New
Construction
Glass
Steel
Actively
Concrete
Materials
Raw
Raw Materials
Substances
Synthetic
Traditional
Top 10
Walter Gropius
Quotes
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Today the arts exist in isolation, from which they can be rescued only through the conscious, cooperative effort of all craftsmen. Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts.
Walter Gropius
Today
Character
Effort
Isolation
Anew
Architects
Arts
Both
Building
Composite
Conscious
Cooperative
Craftsmen
Entity
Exist
Grasp
Learn
Painters
Parts
Recognize
Rescued
Separate
Must
Only
Through
Which
The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
Walter Gropius
World
Painting
Drawing
Artist
Again
Applied
Builds
Designer
Mere
Pattern
Become
Must
Architects, sculptors painters, we all must return to the crafts! For art is not a 'profession.' There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.
Walter Gropius
Art
Artist
Must
Difference
Architects
Between
Crafts
Craftsman
Essential
Exalted
Painters
Profession
Return
Proficiency in a craft is essential to every artist. Therein lies the prime source of creative imagination. Let us then create a new guild of craftsmen without the class distinctions that raise an arrogant barrier between craftsman and artist!
Walter Gropius
Imagination
New
Artist
Creative
Arrogant
Barrier
Between
Class
Craft
Craftsman
Craftsmen
Create
Distinctions
Essential
Guild
Let Us
Lies
Prime
Proficiency
Raise
Source
Therein
Every
Then
Us
Without
Together let us desire, conceive, and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise toward Heaven from the hands of a million workers like the crystal symbol of a new faith.
Walter Gropius
The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
Walter Gropius
Work
Art
Great
Aim
Between
Decorative
Distant
Distinction
Monumental
Structure
Ultimate
Unified
Which
The school is the servant of the workshop and will one day be absorbed in it. Therefore there will be no teachers or pupils in the Bauhaus but masters, journeymen, and apprentices.
Walter Gropius
Day
Will
School
Teachers
Absorb
Masters
One Day
Pupils
Servant
Therefore
Workshop
I am livid with rage, sitting here in chains through this mad war which kills any meaning of life... My nerves are shattered and my mind darkened.
Walter Gropius
Life
War
Mind
I Am
Chains
Here
Mad
Meaning
Meaning Of
Meaning Of Life
Nerves
Rage
Shattered
Sitting
Am
Any
Through
Which
I cannot imagine myself fitting into the existing curriculum. I am too self-willed for that and have had my own very definite ideas for a long time, very different from the existing ways, as to how architecture is to be taught.
Walter Gropius
Myself
Long
Time
I Am
Architecture
Curriculum
Definite
Different
Existing
Fitting
Ideas
Imagine
Long Time
My Own
Taught
Ways
Am
Cannot
Had
How
Own
Too
Very
Wherever I go I make others feel good, and by doing this, I create life. I am a sting, and a dangerous instrument!
Walter Gropius
Life
Good
I Am
Feel
Create
Dangerous
Feel Good
Instrument
Others
Sting
Wherever
Am
Doing
Go
Make
I feel very German - and who can make himself a judge over what is German and what is not - in my ideas and the ideas of my spiritual brothers of German origin.
Walter Gropius
Spiritual
Feel
Who
Ideas
Brothers
German
Himself
Judge
Origin
I Feel
Make
Over
Very
As there is in Germany - as well as in Russia and Italy - no art which is not approved of by the government, any criticizing remark about the present policy made by me would easily be taken as a hostile act. I cannot have my name put up against an official report from Germany without risking very unpleasant consequences.
Walter Gropius
With but a few exceptions, we don't have this personal study under masters any more. Craftsmanship has sunk very low. We no longer have any universally creative persons who are able to guide young learners not only in technical matters but also, at the same time, in a formal way.
Walter Gropius
We must forget the prewar time, which was totally different. The sooner we adjust ourselves to the new, changed world, to its new, albeit harsh, beauties, the sooner will each individual be able to find his own personal happiness. The distress of Germany will spiritualize and deepen us.
Walter Gropius
Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to my own broader approach.
Walter Gropius
Attitude
My Own
He
Own
Aggressive
Appoint
Approach
Broader
Considered
Counter
Fanatic
Havoc
However
Ran
Refused
Since
Teach
Theoretical
Van
Wanted
Wrought
Him
His
Through
Too
Which
Would
My sole aim is to leave everything in suspension, in flux, in order to avoid our community solidifying into a conventional academy. Our initial resources may be few, but our spirits are high, receptive, and excited, and that seems to me to be the most important thing right now.
Walter Gropius
The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
Walter Gropius
Influence
More
Present
Days
Activities
Actual
Appear
Core
Inspiring
Painter
Restricting
Truly
Over
Than
The Bauhaus strives to bring together all creative effort into one whole, to reunify all the disciplines of practical art - sculpture, painting, handicrafts, and crafts - as inseparable components of a new architecture.
Walter Gropius
Art
Painting
Together
Architecture
Bring
Components
Crafts
Creative
Disciplines
Effort
Inseparable
Practical
Sculpture
Whole
New
The strong desire to include every vital component of life instead of excluding part of them for the sake of too narrow and dogmatic an approach has characterized my whole life.
Walter Gropius
Life
Strong
Desire
Approach
Characterized
Component
Dogmatic
Excluding
Instead
Narrow
Sake
Strong Desire
Vital
Whole
Every
Include
Part
Them
Too
The problem of the minimum dwelling is that of establishing the elementary minimum of space, air, light, and heat required by man in order that he be able to fully develop his life functions without experiencing limitations due to his dwelling, i.e. a minimum modus vivendi in place of a modus non moriendi.
Walter Gropius
Life
Man
Light
Space
Able
Air
Develop
Due
Dwelling
Elementary
Establishing
Experiencing
Fully
Functions
Heat
Limitations
Minimum
Order
Place
Problem
Required
He
His
Without
If we investigate the vague feelings of the average man towards the arts, we find that he is timid and that he has developed a humble belief that art is something which has been invented centuries ago in countries like Greece or Italy and that all we can do about it is study it carefully and apply it.
Walter Gropius
Each person feels that he is an 'expert' in one or two fields and just the 'public' in all the others. But you know, probably, from experience that no one is really able to appreciate any display of ability in any field if he himself has not, to a certain degree, taken part in its problems and difficulties at some time.
Walter Gropius
Capitalism and power politics have made our generation creatively sluggish, and our vital art is mired in a broad bourgeois philistinism.
Walter Gropius
Art
Politics
Power
Capitalism
Bourgeois
Broad
Creatively
Generation
Mired
Our Generation
Sluggish
Vital
Made
Our
The intellectual bourgeois of the old Empire - tepid and unimaginative, mentally slow, arrogant, and incorrectly trained - has proven his incapacity to be the bearer of German culture. His benumbed world is now toppled, its spirit is overthrown, and is in the midst of being recast into a new mold.
Walter Gropius
World
Culture
New
Slow
Arrogant
Bourgeois
Empire
German
Incapacity
Incorrectly
Intellectual
Mentally
Midst
Mold
Overthrown
Proven
Spirit
Trained
Unimaginative
Being
His
Now
Old
The fear that individuality will be crushed out by the growing 'tyranny' of standardization is the sort of myth which cannot withstand the briefest examination.
Walter Gropius
Fear
Will
Tyranny
Cannot
Crushed
Examination
Growing
Individuality
Myth
Sort
Standardization
Withstand
Out
Which
In all great epochs of history, the existence of standards - that is, the conscious adoption of type-forms - has been the criterion of a polite, well-ordered society; for it is a commonplace that repetition of the same things for the same purpose exercises a settling and civilizing influence on men's minds.
Walter Gropius
History
Great
Society
Men
Adoption
Commonplace
Conscious
Criterion
Exercises
Existence
Influence
Minds
Polite
Purpose
Repetition
Same Things
Settling
Standards
Been
Has-Been
Same
Things
The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
Walter Gropius
Nature
Great
Back
Us
Amidst
Buildings
Deserts
Flat
Given
Grounds
Her
Means
Offers
Plots
Room
She
Towns
Utilization
Been
Has-Been
Make
Our
Up
Which
Good architecture should be a projection of life itself, and that implies an intimate knowledge of biological, social, technical, and artistic problems.
Walter Gropius
Life
Good
Knowledge
Architecture
Artistic
Biological
Implies
Intimate
Itself
Problems
Projection
Social
Technical
Should
Overwhelmed by the miraculous potentialities of the machine, our human greed has interfered with the biological cycle of human companionship which keeps the life of a community healthy.
Walter Gropius
Life
Community
Greed
Human
Biological
Companionship
Cycle
Healthy
Interfered
Keeps
Machine
Miraculous
Overwhelmed
Our
Which
Under trees, the urban dweller might restore his troubled soul and find the blessing of a creative pause.
Walter Gropius
Soul
Blessing
Pause
Creative
Might
Restore
Trees
Troubled
Urban
Find
His
The greatest responsibility of the planner and architect, I believe, is the protection and development of our habitat.
Walter Gropius
Believe
Responsibility
Protection
Our
Architect
Development
Greatest
Habitat
Planner
I Believe
Man has evolved a mutual relationship with nature on earth, but his power to change its surface has grown so tremendously that this may become a curse instead of a blessing.
Walter Gropius
Nature
Change
Man
Relationship
Blessing
Curse
Earth
Evolved
Grown
Instead
Mutual
Surface
Tremendously
Become
His
May
Power
The ultimate aim of all creative activity is the building!
Walter Gropius
Aim
Building
Creative
Activity
Ultimate
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